Crawl

The Alexandre Aja remake Piranha 3D was effective enough that it inspires confidence in any new thing he directs. Regardless of the content, the direction is solid. He holds back information just enough with his choice of shot. I got around to watching one of his most recent flicks, Crawl, that involves a young woman who has been a competitive swimmer defying the authorities during a storm and returning to her father’s home to make sure he is okay. Barry Pepper is the father, and we are reminded that a couple of decades have passed since Saving Private Ryan. Together, along with would-be help from without, they fend off alligators that are taking advantage of a flood.

Most of the movie is contained in one house, mostly in the crawlspace or basement, and while the tenancy is to “open up” movies the fact is that the most effective horror and suspense involves isolation. The Shining, Misery, most cabin in the woods movies, have a sense of being trapped and having to confront the problem at hand. From the ordinary opening scenes through the building crisis to the choice of music that plays under ending credits the movie is well thought out and presented. In earlier decades, it might be taken for granted. But the decisiveness of Aja takes a bsic premise and keeps it, beat for beat, pumping along. It is not Jaws but it is more Jaws than Jaws 3 or Jaws the Revenge. It has less humor than his Piranha movie, but it is still quite solid entertainment.

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jawsphobia

Filmmaker, from North Bay, Ontario, currently in Toronto. Graduated from Humber Film and TV Production in the Nineties. Made countless short films.

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